Désirs de rue. L'urbain, une matrice pour un nouveau cinéma. Antiquité Valenciennes

Valenciennes

000 legionaries

the objective is to recreate the atmosphere of the country and the archaeological excavations carried out in the field

Memoirs of the Center for Prehistoric and Ethnographic Anthropological Research IX

The history of the button reveals many other little-known aspects

Désirs de rue. L'urbain, une matrice pour un nouveau cinéma. Antiquité ValenciennesAt the end of the 1950s, young artists from what was then called the New Wave began filming in the streets. Outside the studios, cameras on their hands, they mingled with the city crowds. Urban space then became the matrix of their creations. It allowed them to reflect the individual and collective challenges of a changing society and at the same time invent a new cinematic identity. Dsirs de rue, through the analysis of short films by Eustache,