Etre moi toujours plus fort. Les paysages intérieurs de Léon Spilliaert. Numismatique the gap between him and

the gap between him and the original conditions of the creation of his work widens

although he never sought notoriety

le centre d'une brillante civilisation

«Aristoteles en el mundo helenistico«

avec près de 700 objets référencés

Etre moi toujours plus fort. Les paysages intérieurs de Léon Spilliaert. Numismatique the gap between him andOstend, early 20th century. A young, melancholic painter, Lon Spilliaert, gazes at the sea through the darkness. He bears a Flemish name; admires his compatriot Ensor; and is haunted by the unstable geometry of his hometown and by the secret life of appearances and shadows. A century later, Stphane Lambert returns to his homeland and, in turn, undertakes the same geographical journey where thoughts merge with the painter's troubled universe. For art